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Why do fine art prints (etchings, woodcuts, lithographs, screenprints, etc.) and printmaking draw such fervent practitioners, collectors, and fans? Find out how prints were the first internet disseminating images since the mid-15th century. Find out why it takes a village to make, sell, study, and collect these affordable beauties. Who are all these people in the print ecosystem, anyway? Series one looks at prints and printmaking and how they fit in in the context of museums, the market, critiques, and the print ecosystem. Series two offers a history of prints and printmaking in the West. Series three offers interviews with the people who perform various roles in the print ecosystem. Join us and find out why prints and printmaking occupy the best little corner of the art world. We'll turn you into a fan, too.Platemark podcast offers a bit of art history, artistic creativity, and introduces listeners to artists, printers, dealers, print publishers, gallerists, art historians, curators, and scholars. Ann Shafer is an independent curator specializing in contemporary prints and printmaking. Formerly she was a curator at the Baltimore Museum of Art and the National Gallery of Art. She is a podcaster (Platemark and The Curator’s Choice), blogger (annshafer.com), and organizer of the new Baltimore Fine Art Print Fair (baltimoreprintfair.com). She has a BA from The College of Wooster and a MA from Williams College, both in art history.www.platemarkpodcast.com