Welcome to Platemark, a podcast about art, ideas, prints, and printmaking
Aug. 30, 2022

s3e7 Elizabeth Wyckoff

Curator of Prints and Drawings, Saint Louis Art Museum


In s3e7 of Platemark series three, Ann Shafer and Tru Ludwig sit down with Elizabeth Wyckoff, Curator of Prints and Drawings at the Saint Louis Art Museum, to talk about the exhibition Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, which is open until September 11, 2022.

The Simmons collection, recently acquired by the Saint Louis Art Museum, provided an opportunity to take a deep dive into three artists they collected in depth: Kiki Smith, Enrique Chagoya, and Tom Huck. The major through line is works that critique a broad range of social, political, and art historical concepts. Other artists in the exhibition include Jaune Quick-to-See Smith, Bruce Nauman, H.C. Westermann, Tony Fitzpatrick, and Kara Walker.

Elizabeth, like so many curators of prints and drawings, is responsible for works of art on paper from the 15th century through tomorrow, even though her dissertation focused on Dutch print publisher Jan Pietersz Berendrecht, who was active in Haarlem in the 1620s. Hear about living in Amsterdam while researching Berendrecht, working with the Simmons, and what her (fictitious) retirement gift will be.

Episode image of Elizabeth Wyckoff: Courtesy of the Saint Louis Art Museum.

Images discussed are below along with their credit/institution.

Exhibition catalogue for Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, Saint Louis Art Museum, 2022.

Rembrandt (Dutch, 1606–1669). The Hundred Guilder Print, 1648. Etching, drypoint, and engraving. Plate: 10 15/16 x 15 7/16 in. (27.8 x 39.2 cm.); sheet: 11 1/8 x 15 5/8 in. (28.2 x 39.7 cm.). Saint Louis Art Museum, St. Louis.

Rembrandt (Dutch, 1606–1669). Christ Presented to the People: Ecce Homo (state ii/viii), 1655. Drypoint. Plate: 15 1/8 x 17 5/8 in. (384 x 448 mm.); sheet: 15 3/8 x 17 7/8 in. (391 x 454 mm.). Saint Louis Art Museum, St. Louis.


Rembrandt van Rijn (Dutch, 1606–1669). Abraham's Sacrifice (only state), 1655. Etching and drypoint on vellum. Sheet (trimmed to platemark): 5 14/16 x 5 in. (15.1 x 12.7 cm.). Saint Louis Art Museum, St. Louis.


Hans Burgkmair the Elder (German, 1473–1531). Lovers Surprised by Death, 1510. Chiaroscuro woodcut. image: 8 3/8 in. x 6 in. (21.3 x 15.2 cm.); sheet (trimmed): 8 3/8 x 6 in. (21.3 x 15.2 cm.). Saint Louis Art Museum, St. Louis.


Williams Ivins, Jr. Prints and Visual Communication. Cambridge, MIT Press, 1969.

Albrecht Dürer (German, 1471–1528). Triumphal Arch of Maximilian I, 1515. Woodcut, 195 woodblocks printed on 36 sheets of large folio paper. 354 x 298.5 cm (139 3/8 x 117 1/2 in.). Metropolitan Museum of Art, New York.

Kiki Smith (American, born 1954), published by Artes Magnus. Finger Bowl, 1995. Sterling silver. 16 ½ x 16 x 16 in (16.5 x 40.6 x 40.6 cm.). Saint Louis Art Museum, St. Louis.

Installation view of Kiki Smith (American, born 1954) works in Catching the Moment, Saint Louis Art Museum, 2022.

Installation view of Tom Huck (American, born 1971), published by Evil Prints. Snacktime Marcy, 1999. Blocks and prints in Catching the Moment, Saint Louis Art Museum, 2022.

Installation view with, at center: Jaune Quick-to-See Smith (Enrolled Salish, Confederated Salish and Kootenai Nation, MT, born 1940), published by Washington University School of Art Collaborative Print Workshop. Celebrate 40,000 Years of American Art, 1995. Collagraph. 78 1/8 x 53 3/8 in. (198.4 x 135.6 cm.). Saint Louis Art Museum, St. Louis.

Installation view with Nauman and Walker: Bruce Nauman (American, born 1941), published by Gemini G.E.L. Pay Attention, 1973. Lithograph. 38 3/8 x 28 5/16 in. (97.5 x 71.9 cm.). Saint Louis Art Museum, St. Louis. AND Kara Walker (American, born 1969), published by Landfall Press. The Keys to the Coop, 1997. Linoleum cut. 46 1/4 × 60 1/2 in. (117.5 × 153.7 cm.). Saint Louis Art Museum, St. Louis.

Francisco de Goya (Spanish, 1746–1828). Plate 43 from Los Caprichos: The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799. Etching and aquatint. Plate: 8 3/8 x 5 15/16 in. (21.2 x 15.1 cm.); sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm.). Metropolitan Museum of Art, New York.


Enrique Chagoya (American, born Mexico, born 1953), published by Des Moines Art Center Print Club. Liberty Backwards, 2008. Photoetching and rubber stamp. 12 5/8 x 9 ½ in. (32.1 x 24.1 cm.). Saint Louis Art Museum, St. Louis.

Enrique Chagoya (American, born Mexico, born 1953), published by Smith Anderson Editions. Liberty, 2006. Monotype. 34 5/8 x 47 7/8 in. (87.9 x 47.7/8 cm.). Saint Louis Art Museum, St. Louis.

Saint Louis Art Museum Print and Drawing Room link: https://www.slam.org/research/print-study-room/

 

Platemark is produced by Ann Shafer
Series one co-host: Ben Levy
Series two co-host: Tru Ludwig
Theme music:
Michael Diamond