Platemark s2e23 continues hosts Ann Shafer and Tru Ludwig’s conversation on reproductive prints. For clarity, a reproductive print is one in which an artist creates a design (a drawing, painting, sculpture) and another artist creates a print after that original design. These can be sanctioned by the first artist or not or they can occur long after the first artist‘s death. It is customary to acknowledge all the artists in the strip of lettering at the bottom of the print (called the address). This way credit is given where due. Over time, reproductive prints became quite formulaic and staid—wait until we get to the early 19th century. When photography was developed in the 1830s, it wasn’t long before there was little need for the reproductive print. But without them, there is no history of prints.
Platemark s2e23 history of prints: Reproductive Prints (part three)
Subscribe to our Newsletter here. We'll send new episode alerts and more.
Email has been submitted.
Featured Episodes
Recent Episodes
- s3e117 exquisite wood engraving and illustrated books with Barry Moser
- s3e116 framing deep dive with Thoren Vadala
- s3e115 creativity and freedom with cultural strategist Laura Raicovich
- s3e114 Live from the McNay Print Fair: James Stroud and the Art of Collaboration
- s3e113 Parasol Press deep dive with curator Rachel Vogel
- s3e112 the business and heart of Lower East Side Printshop with Executive Director Marie Tennyson
- s3e111 history, art, and social change with Jenny Schmid
- s3e110 engraving currency and stamps with Tom Hipschen
- s3e109 building a global print community with Reinaldo Gil Zambrano
- See all →